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  Nast referenced or alluded to specific French paintings as a means of capturing and engaging his viewers’ interest in major political developments of the day, as seen in such cartoons as “Democracy” and “The Tammany Tiger Loose” (published respectively in Harper’s Weekly on Nov. 11, 1865 and Nov. 11, 1871). In doing so, according to Delamaire, Nast transformed history painting into a mass medium and appropriated the significance of foreign images into the American national or local political sphere. Delamaire is a Ph.D. candidate in art history at Columbia University. Her dissertation project, titled “Art in Translation:

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