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Throughout the composition process, Copland thought of the work as “Ballet for Martha.” Shortly before its 1944 premiere, Graham, inspired by a Hart Crane poem, renamed it “Appalachian Spring.” In 1945, Copland reconfigured the ballet into an orchestral suite, of which numerous recordings have been made, that has been hailed for its rich symphonic vision of early America. However, this 1974 release, with the composer conducting the Columbia Chamber Orchestra, was the first commercial recording of the original version.
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