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  Concertos for Violoncello and Orchestra.” A third classical recording named to the registry is Artur Schnabel’s tribute to Beethoven, “The Complete Beethoven Piano Sonatas” (1932-1935). Several recordings reflect the diverse sounds of the nation’s audio heritage.  The music of the Sioux’s Yanktoni-Dakota band in 1928 tells the story of a culture in transition.  The collection of recordings is comprised of nearly 200 fragile wax cylinders. The blues group Mississippi Sheiks’ “Sitting on Top of the World” (1930) became a part of the region’s musical vernacular, and the 1950 song “How I Got Over” by Clara Ward and the Ward Singers—one of the earliest female gospel performing groups to cross from gospel to popular music—has remained a gospel standard.

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